Title/Work: Cavalleria Rusticana Content: Intermezzo Genre(s): Opera terminology Author(s)/(Composer(s): Pietro Mascagni (1863-1945) Music arranger(s): none Lyricist(s): Giovanni Targioni-Tozzetti (1712-1783) and Guido Menasci (1867-1925) (adapted from a play written by Giovanni Verga (1840-1922)) Performer(s): Victor Orchestra Conductor: Walter B. Rogers (1865-1939) Place of recording: Camden, New Jersey (United States) 1st release date: February 1905 1st recording date: 7 November 1904 (B-4050: 18 June 1908)
24-tet scale on C (50 cent steps). Easley Blackwood, Jr.'s notation for 24 equal temperament. As only "ups" are used, there are no three-quarter flats and quarter flats are enharmonically spelled (Dd = C#↑). Pitches are split into two groups of 12. MIDI pitch bend is correct for intervals.
Choro habanera "Cubanita", composed by Chiquinha Gonzaga in 1898 [1] and executed by the Grupo Chiquinha Gonzaga (Flute: Antonio Passos. Guitar: Tute. Cavaquinho: Nelson Alves. Recorded in 1908.
The military song "Genkō" written and composed by Kenshi Nagai. Sung by Tamaki Tokuyama and the JVC Male Chorus, performed by the JVC Brass Band. By JVC, October 1937. The "Genko" part of the original sound.日本語: 永井建子作詞・作曲の軍歌『元寇』。歌唱は徳山璉・日本ビクター男声合唱団、演奏は日本ビクター吹奏楽団。ビクター、1937年10月。元音声の『元寇』の部分。
Das Laverne Walzer Capriccio, komponiert und eingespielt vom Altsaxophonisten H. Benne Henton. Es wurde 1911 veröffentlicht und im März 1912 für die Victor Talking Machine Company aufgenommen. The Laverne Waltz Caprice, composed and played by alto saxist H. Benne Henton. It was published in 1911 and recorded by the Victor Talking Machine Company by March 1912. Laverne Waltz Caprice, composé et interprété par le saxophoniste alto H. Benne Henton. Ce morceau fut publié en 1911 et enregistré par la Victor Talking Machine Company en mars 1912.
Choro "Pudesse esta paixão", composed by Chiquinha Gonzaga and executed by the Grupo Chiquinha Gonzaga (Flute: Antonio Passos. Guitar: Tute. Cavaquinho: Nelson Alves). Recorded in 1912.
Choro "Te Amo", composed by Chiquinha Gonzaga and executed by the Grupo Chiquinha Gonzaga (Flute: Antonio Passos. Guitar: Tute. Cavaquinho: Nelson Alves). Recorded in 1908.
A song written by James Europe and Noble Sissle, with vocals by Noble Sissle. Recorded around March 14, 1919. Converted (lossy) to Ogg Vorbis from RealAudio. See redhotjazz.com for the RealAudio version.
Gloria performed by the Concert Band of the United States Air Force Band of the Rockies. Track from Footlifters! (1998). Recorded Feb. and June 1998, Pikes Peak Center, Colorado Springs, CO. H. Bruce Gilkes, conductor; Gena R. Stuchbery, associate conductor.[1][2][3][4]
Author: Composition: Frank H. Losey; Performance: United States Air Force Band of the Rockies, Concert Band; Recording: United States Air Force
National Emblem performed by the Concert Band of the United States Air Force Band of the Rockies. Track 8 from Footlifters! (1998).[1] Recorded Feb. and June 1998, Pikes Peak Center, Colorado Springs, CO. H. Bruce Gilkes, conductor; Gena R. Stuchbery, associate conductor.[2]
Author: Composition: Edwin Eugene Bagley; Performance: United States Air Force Band of the Rockies, Concert Band; Recording: United States Air Force
The U.S. Air Force Blue performed by the United States Air Force Band in 2013
Author: Composition: Alan Scott and Keith Textor; Arrangement: Ben Ludlow and Senior Master Sgt. (Ret.) Tom Dossett; Performance: United States Air Force Band, Concert Band; Recording: United States Air Force
Bombasto performed by the Concert Band of the United States Air Force Band of the Rockies. Track 5 from Footlifters! (1998).[1] Recorded Feb. and June 1998, Pikes Peak Center, Colorado Springs, CO. H. Bruce Gilkes, conductor; Gena R. Stuchbery, associate conductor.[2]
Author: Composition: Orion R. Farrar; Performance: United States Air Force Band of the Rockies, Concert Band; Recording: United States Air Force
The Stars and Stripes Forever performed by the Concert Band of the United States Air Force Band. Track 6 from A Symphony in the Sky (1965). Recorded at the U.S. Air Force Band studios, Bolling Air Force Base, Washington, D.C. Credits: Chorus Master – Franklin J. Lockwood Conductor – Arnald D. Gabriel Liner Notes – Sergeant Harry H. Gleeson Audio Supervisor: Sgt. Al Derecki. Engineers: Airmen John Long, Jerry Schwinger and Bill Seabrook
Author: Composition: John Philip Sousa; Performance: United States Air Force Band, Concert Band; Recording: United States Air Force